That Floating Excrement Was Far Too Symbolic! It's the Television Letdowns of the Year.
As we consider the TV offerings of the past year, a handful of series stand out not for their excellence, but for their spectacular failures. Ranging from cringe-inducing sequels to bafflingly poor docuseries, here are the programmes that left us scratching our heads or just reaching for the remote.
The 'Sex and the City' Sequel
How to start with this love/hate follow-up? Plagued with dreadful scripts, cringe-inducing arcs (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series struggled to find its footing. Briefly, as the final season began, it seemed as if it had at last hit its stride. Then came an episode all about Seemaās natural deodorant. Little surprise the creator announced this would be the final season. It ended on a bum note; the lingering shot of Mirandaās loo flooded with poo was just way too symbolic. Yet, fans certainly had a hoot dissecting every single āwhat on earth?ā episode. And as Carrie ā a single woman once more ā danced around her palatial townhouse to Barry White, who didnāt release a little sob?
Allās Fair
āIs Kim Kardashian an actress? The answer is a resounding no.ā
But that was practically the least of this drama's issues. The subject of a exceedingly uncommon no-star assessment, it was difficult to know where to begin listing the flaws. The laughably wooden writing? The mind-numbing veneration of wealth and materialism? The seemingly wilful parade of cliches? Acting so poor they felt almost malicious? Suffice it to say āall of the aboveā and forget about this series again. However, a second season has been commissioned, so weāre probably going to have to.
AKA Charlie Sheen
Given the restraining orders, domestic violence claims and fatherly failures, itās fair to say Charlie Sheen has been a troubled figure. Not that youād really have gleaned it from this multi-part documentary which smirked its way at Sheenās various episodes of self-destructive hedonism while struggling to tell us a single thing we didnāt already know. Instead, it felt as if this loose cannon was being pandered to, so any pity this series might evoke should be reserved for the people who have had to suffer close contact with this charming but flippant narcissist.
The Supercomputer Drama
Of course we understood it was preposterous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either solve global crises ā or destroy all of humanity. We persevered out of sheer love for its stars ⦠but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe ⦠in painfully slow-motion. Talk about admitting defeat.
The Gangster Drama
Dodgy characters convening in deserted boxing gyms? The Prodigyās Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.
Actually, that is harsh on the gangland dramas of the late 90s. Many look a bit dated now, but at least they didnāt endure the embarrassment of having to accommodate unconvincing accents. But there were many other issues. Primarily that it was just really boring; a conflict over drug-selling territory between various London rogues which felt a bit basic.
The Meghan Markle Series
Given the extent to which she provokes the ire of the nationās ostentatiously angry commentators, itās temptingly tempting to admire the Duchess of Sussexās televised forays into twee lifestyle as intentional statements. But then you view them and are forced to admit that actually, they may have a point. Itās like watching a lifestyle catalogue come to life; a meme for wine oāclock with ideas of grandeur; a parade of snoozing dogs, buzzing beehives, sentimental sayings and forgettable crafting ātipsā youāll not remember instantly. All supported by vast, mostly unearned wealth. Ugh.
The Beckham Documentary
There are clearly interesting things to be discussed about both Victoria Beckham and her journey with career, identity, self-acceptance. But for whatever reason, this documentary series opted not to say them. Instead, the viewing was akin to reading a sales brochure. She clearly has good reason to resent what she describes as her āsternā image. But sadly, she failed to do herself any helps with this guarded letdown of a series.
The Inheritance
It had the potential to be the next cultural phenomenon ā except even camper, with a famous star as a deceased benefactor and a well-known personality overseeing her inheritance. What more could you want? As contestants competed, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: itās still too complicated to explain what precisely was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a programme that was straining desperately to emulate something way beyond it.
Too Much
How do you follow a show that captured a generation? The pressure was immense for this starry romcom about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The star seized the opportunity by the horns and was joyous to watch, reveling in Jane Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was not enough. Plus, the sheer amount of celebrity friends involved felt uncomfortable.
Mitchell & Webb Are Not Helping
Not even good enough to be āunevenā.
Given the smart inclusion of gifted younger comics, hopes were high. But sadly, most of it didnāt land. A particular sketch was a single joke milked to a dry pulp but repeated in every episode. One star seemed too ready to slip into a familiar irate mode. The behind-the-scenes sketches, in contrast, simply provoked the thought that they should probably have stayed in there a while longer.
The Twisted Tale of Amanda Knox
This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated sensitively. Instead, the series struggled painfully to find the right voice, lurching from strangely breezy, slightly stylised farce to ultimately, real-life horror. Twisted? Arguably. A complete mess? Absolutely.
The Maths Genius Thriller
We love the lead actor ⦠but did we believe him playing the most brilliant maths genius in history, a man so intelligent heās on the brink of a breakthrough that could destabilise society? No! This international thriller about secret services spying on ā and killing off ā academics frankly got more absurd by the second. Silliness-by-numbers.
The Bonnie Blue Documentary
This uncritical portrait followed the online personality notorious for explicit exploits as she prepared for her biggest feat yet. What on earth would possess her? What we craved was far greater examination of her actual psyche, plus those of the men in the queue. They could at least have spoken to the legendary mum who showed up to drag her son away from the queue. What we got was horrific imagery and zero interrogation of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.