Eurovision Used to Be a Lighthearted Spectacle – Yet It Has Evolved Into a Strategic Method to Gloss Over Warfare.

A new initialism emerged a couple of months after the start of Israel’s bombardment of Gaza. Known as WCNSF, it stands for “Wounded child, no surviving family”. This term is found only in Gaza, according to medical experts such as paediatricians. Normally, it is uncommon for medical staff to attend to a young patient who has seen the death of their entire family. Yet, there has been nothing “normal” concerning the devastating conflict in Gaza, where entire family lineages have been obliterated and the number of children who have lost limbs is greater than that of any other region in the world. No sense of normalcy in scores of doctors arriving back from a devastated terrain with testimonies of children being systematically aimed at.

A Living Nightmare In Spite Of a Supposed Ceasefire

Gaza remains hell on earth. Critical healthcare resources are failing to reach those in need, and international watchdogs have stated that genocidal acts are continuing. Authorities disputes these accusations, just as it disavows all charges it is implicated in. Meanwhile, while grieving children who lost parents are now freezing in improvised encampments, there is some ostensibly positive news: apparently nothing is going to stop the international singing competition from advancing its stated mission of “unity and cultural exchange.” The contest will continue to roll out a blood-red carpet for Israel, although several European countries have now withdrawn in objection. And this, apparently, is what global togetherness looks like.

The contest, notably excluded Russia from taking part in 2022 due to the “grave situation in Ukraine”. Yet the conflict in Gaza seems entirely distinct.

Contradictory Principles

Disregard the reality that Israel was criticized for unfair vote practices last year in what could be seen as an bid to politicise Eurovision. Ignore the report that a young child was reportedly killed in Gaza recently. Forget the fact that attacks by settlers and forced displacement in the West Bank have surged. Disregard the condition that global media are still prevented from unfettered access in Gaza. None of this, apparently, should be allowed to get in the way of Eurovision’s cherished spirit of unity.

The Show Goes On Against a Backdrop of Profound Human Cost

Eurovision marks seven decades next year – nearly twice the projected longevity of a person in Gaza today. The event will proceed, but it will find it impossible to reclaim the pure, unadulterated fun it was formerly known for. A contest that initially championed togetherness has now become a transparent instrument to sanitize military aggression.

Nicholas Holt
Nicholas Holt

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